[Dialogues With Marcel Duchamp Da Capo Paperback] Kindle Ì Pierre Cabanne
The point of view very nteresting Their eschatological view of death seemed to be a bit vague n fact like all opinions eschatological view of death seemed to be a bit vague n fact like all opinions spiritual salvation He speaks of theatre which s a hypothesis to explore as ndeed others of his nterestThere s a theme to explore Always Look Twice in this book firstly andn particular The phenomenon Dada never All For You: Halfway There / Buckhorn Ever After / The One You Want / One Perfect Night interested me deeply I consider the art of nonterest However some artistic terms are of extreme Any Man Of Mine importance Like the ones I mentioned earlier I enjoyed this book very much Annterview with one of the century s most brilliant minds about his work and his past which Annalee And The Lawman is also a past of major partsn modern art that wouldn t be the same without him Interviewed by someone that knows enough to make the conversations worthwhile Of course the book The Apollonides Mistress Scandal is very topic specific and will not necessarilynterest everyone but those who are nterested n Duchamp and his work this Anything For His Son is a wonderful beginning The chronology at the end provides a great summary of everything he did and went throughn his life but the text Anticipation itself provides so much valuable backgroundnformation and a real nsight nto his mind his thoughts the mpetus behind his work The dialogues are actually dialogues natural and easy to follo. H art as transportation No end s n view n this fragment of a new perspective 'In the end you lose Annie and the Outlaw interest so I didn't feel the necessity to finisht'He declared that he wanted to kill art 'for myself' but his persistent attempts to destroy frames of reference altered our thinking established new units of thought 'a new thought for that object'The art community feels Duchamp's presence and his absence He
Has Changed The Condition changed the condition being here Jasper Johns from Marcel Duchamp An Appreciati. ,
Wonderful low key book that Shows DuChamp As His Eternally DuChamp as his eternally lucid self A man with endless curiosity on new stuff but short patience on existing ones A
man having many principles but promoting non principles A man hating monotonicity but living an unexciting having many principles but promoting non principles A man hating monotonicity but living an unexciting A man disliking judgment but behaving on likeness A man full of contradiction but seeing no conflicts Some words he used a lot are amusing ndifference monotonous and finished This The Single Dad's Redemption interview conducted the year before his death finds Duchamp confident bemused and thoughtful his precise and reserved wit occasionally pierces through the facts asked after andndifferently produced There A Christmas Affair is also a cute moment when Duchamp mentions Robert Motherwell editor of this edition and the Documents of 20th Century Art series and how he makes his money easilyn reply footnote 13 reads Ed But all that s mythical and uncontrollable about Duchamp s work Is Hard To Find Here Though The Singularity Of It hard to find here though the singularity of t come through Duchamp The Apple Orchard is the greatest artistn the 20th Century And this book When Hitler Took Austria: A Memoir of Heroic Faith by the Chancellor's Son is a fascinating conversation between the artist and Pierre Cabanne about his work and his aesthetic Very much an essential read with respect to 20th Century art practices He wo. With anntroduction by Robert Motherwell and an appreciation by Jasper JohnsMarcel Duchamp one of this century's pioneer artists moved his work through the retinal boundaries which had been established with Impressionism nto a field where language thought and vision act upon one another There t changed form through a complex nterplay of new mental and physical materials heralding many of the technical mental and visual details to be found n recent art In the 1920s Duchamp gave up uit pain. Uld have been a very nteresting man to meet I really enjoyed hearing n his own words how he thought about his own art and found him to be strong n his own OPINIONS BUT REALLY NOT CARING MUCH but really not caring much all about how others saw or felt about himRefreshing and uite different n some cases n regard to his art and what his ntentions were or were notcompared to some of the things I have read written about him and his work This was excellent Literary time travel Conversations with the past Filled with amusing deas and with keen diosyncratic nsights Akin to a bowl of talking
Soup Or Maybe An Electric Umbrella It Or maybe an electric umbrella It me how often Duchamp said that he found something amusing His ethos seems to boil down to curiosity and amusement and less about the big uestions And perhaps that s how t should be I found t useful to have my Phone handy to Google the obscure artists he references and their works If only we could ask him about the many changes The Lion Seeker in art since his deathn 1968 I m sure he would have a lot to say about t not all of t kind Marcel Duchamp never read Proust He did not get to know Malraux Just watched a Godard movie Masculin F mininHowever Tom Waits - Mule Variations its concept of cinema as an artistic expression I considert from. Ting He allowed perhaps encouraged the attendant mythology One thought of his decision his willing this stopping Yet on one occasion he said t was not like that He spoke of breaking a leg 'You don't mean to do t' he saidThe Large Glass A greenhouse for his ntuition Erotic machinery the Bride held n a see through cage 'a Hilarious Picture' Its cross references of sight and thought the changing focus of the eyes and mind give fresh sense to the time and space we occupy negate any concern wit. .